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Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Monday, October 11, 2021

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Title : The Grinch
The Grinch genre : Animation, Family, Comedy, Fantasy
The Grinch crew : Danny Elfman, Christopher Meledandri, Robert Taylor, Dennis Leonard, Tommy Swerdlow, Michael LeSieur, Scott Mosier, Scott Mosier, Yarrow Cheney, Janet Healy
The Grinch release date : 26 November 19 3 5
The Grinch runtime : 90 Minutes
The Grinch Crew : Danny Elfman, Christopher Meledandri, Robert Taylor, Dennis Leonard, Tommy Swerdlow, Michael LeSieur, Scott Mosier, Scott Mosier, Yarrow Cheney, Janet Healy
The Grinch movie cast :
Benedict Cumberbatch, Rashida Jones, Kenan Thompson, Cameron Seely, Angela Lansbury, Pharrell Williams, Ramone Hamilton, Sam Lavagnino, Scarlett Estevez, Michael Beattie
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The Grinch hatches a scheme to ruin Christmas when the residents of Whoville plan their annual holiday celebration. The Grinch 2018 review : After hearing negative reviews from others I was reluctant to see this one at first but I went with my gut feeling and saw it and wow I am so happy I did this movie made my Christmas already it's just what we need in the world today a movie about people putting aside their differences and enjoying just being together
So I paid £7 to fall asleep! Alas, even my kids aged 11 and 14 found it uninteresting. Grandma came along, she loves all animation films, but even this failed to capture her interest. We were expecting some new twists in an already well-known tale, but hey-ho, not this time.
The Grinch was a movie I really wanted to see before Christmas but life was so busy and I just didn't have enough time. I am so glad I finally managed to see it.

LIKED:
- the animation is absolutely stunning! all of the colours and the contrast with the snow was amazing.

- Max was the most adorable puppy ever! for some reason, it reminded me of Dobby a bit :D

- a big part of the story was told in verse and there were many quotes taken directly from the book.

DISLIKED:
- I kind of wanted more songs

- Grinch wasn't portrayed as mean as I expected

OVERALL:
It was cute, adorable and very Christmasy! Yes, it was cheesy but it is supposed to be like that. I think I prefer it as an animation.
It was a little too eccentric. I would've thought they would make the storyline similar to the 2000 remake, this time with Jim Carrey voicing the bullying mayor!

Still, this film had its laughs, along with a voice cameo from Made in Chelsea's Toff!
A much more family friendly story about 'The Grinch'.

I like it. It has a few issues but still does most things right, it's definitely solely made for families but that's not a negative - it does make sense to make an animated version of this Dr. Seuss book.

With that noted, I don't rate Benedict Cumberbatch in the lead role. I don't think his voice suits the role at all, it needed someone who sounds more menacing and treacherous. I never felt, away from his obvious acts, any horrid side to Grinch here - though perhaps that suits the aforementioned family vibe they were aiming for.

Away from Cumberbatch, I thoroughly enjoyed Pharrell Williams' narration and it's cool to hear Angela Lansbury in a minor role. The plot to this 2018 film is solid, but the thing about it that stands out most to me is the humour - which I found consistently amusing, there are some funny gags in there.

Overall, this is a film I'll look back on as being good - even if it could've been greater, especially with a more suitable lead. If we're comparing this and the 2000 production, I think I prefer this one? It's close, Jim Carrey is great in that but this one's pacing is much better.

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Friday, October 1, 2021

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Title : Doctor Strange
Doctor Strange genre : Action, Adventure, Fantasy, Science Fiction
Doctor Strange crew : Tom Johnson, Sarah Halley Finn, Stan Lee, Stan Lee, Steve Ditko, Kevin Feige, Shannon Mills, Juan Peralta, Jeff Habberstad, Julian Ashby
Doctor Strange release date : 10 August 19 4 3
Doctor Strange runtime : 115 Minutes
Doctor Strange Crew : Tom Johnson, Sarah Halley Finn, Stan Lee, Stan Lee, Steve Ditko, Kevin Feige, Shannon Mills, Juan Peralta, Jeff Habberstad, Julian Ashby
Doctor Strange cast :
Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen, Tilda Swinton, Michael Stuhlbarg, Benjamin Bratt, Scott Adkins, Zara Phythian
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After his career is destroyed, a brilliant but arrogant surgeon gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil. Doctor Strange 2016 review : With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.
Doctor Strange gave me an Inception vibe with effects that were much on a grander scale. I'm a Nolan fan and even after seeing Dr. Strange, I'm impressed.
This movie might give DCEU a run for their money. Doctor Strange is a personal best for 2016. Great watch!
"Dormammu! I came to bargain! I hear the discounts are out of this dimension!" Kidding aside, this movie had stunning visuals, I never thought I'd enjoy. Marvel keeps improving their game I hope the other studious are paying attention.
The quest for self and truth is heavily built into this movie and that's one thing that's innately relatable for all of us. I'm pretty stoked on how Doctor Strange integrates into the Marvel-verse and I am on the edge of my seat for the next Marvel movie! We are not savages.
Magic always has a cost. The team behind Doctor Strange knew that and never bargained! The visuals and storytelling do me in. This movie is a must-watch whether which side of the universes you're with.
Benedict Cumberbatch is one actor who never disappoints. Another iconic character he nailed so well he's embedded Doctor Stephen Strange into the moviegoer's consciousness. Awesome movie!
I was not prepared for the visuals this movie offered. Nevertheless, I absorbed it in its full glory. It was easy to enjoy this movie not only because of its visuals but also because of the quirkiness and lovable characters. A must-watch!
Doctor Strange was a delight to watch. Like the doctor's cape, the dialogues were powerful all while more visual tricks were readied up on the sleeves. Marvel studios worked their magic again with this movie!
Hats and capes tipped to Scott Derrickson for directing such a great movie! I can't wait for Doctor Strange's next flick as well as his role in the Avengers team! Kudos!!!!!
I loved how they choreographed the scenes in this movie. Action-packed and with visuals that don't let up. Please stay for the post-credit clip.
Benedict Cumberbatch's portrayal as Stephen Strange was flawless. The arrogance, the confidence, the humor. He's really into it.
The optical illusion was psychedelic and mind-blowing! Every time they did that, I'm amazed.

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Thursday, June 17, 2021

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Monday, June 14, 2021

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Tuesday, March 2, 2021

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Spider-Man 3 release date : 17 March 19 8 8
Spider-Man 3 runtime : 139 Minutes
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Although I wish that would be the only thing wrong with Spider-Man 3. But almost every storytelling decision - from the creation of Sandman to Peter instantly falling in love with his new costume to that thing that was never actually called Venom - is just plain stupid. Right from the get go you hate Peter Parker.

Studio interference did not mandate the jazz bar dance scene. It did not have the Green Goblin 2 storyline make absolutely no sense whatsoever. It did not create that stupid love triangle between Gwen and Mary Jane, betraying everything Peter Parker is supposed to be about.

These were fundamental issues in the script and direction the film took. These were issues that doomed the film for failure. That's why this movie sucks, not just because they butchered Venom.
This movie is about Spidey's revenge and transformation to bad Spidey. It has a dark feel to it that I found one of the most appealing factors to this movie. Because we've all gotten used to Peter Parker being "your friendly neighborhood Spider-Man,” having him turn to the dark side for some time and watch him get out of it was a whole new experience.
Tobey Maguire makes such a great Spider-Man, hands down. We've seen him at his best, but in this movie, we saw him at his worst, and although I must say I wasn't that big of a fan of how cheesy he looked with that emo cut, it was still enjoyable for me watching him beat the "venom" out of him.
So much emotion in this movie! What a way to end a trilogy!
The third and final film to one of the few trilogies we have that are actually good. Tobey surely gave a whole new meaning to Spider-Man and set the bar high for the other Spider-Man movies that came out.
I know this is supposed to have a darker tone than the normal Spider-Man movies we see, but I found it more comedic to see Peter take on an entirely new character. Loved it though!
My wife isn't that big of a superhero fanatic but after watching this whole trilogy with me, I can say that she's still not a superhero fan! Still, I know she was able to enjoy the movie and how the creators told the story.
It still puzzles me to this day why this felt like two movies crammed into one.
Now that I think about it, this film just had too much going on. Compared to the first two which were both hyper-focused on just one storyline, Spider Man 3 lacked that distinct characteristic which I know most of us will agree on.
Out of all the Tobey Maguire Spider Man films, this one had the best effects. But with that, the overall quality of the movie in terms of the plot greatly decreased. I wish they would've stuck with the same strategies they had for the first two films.
I was satisfied, but that already was a disappointment. Spider Man 2 was a great sequel and I had high hopes that they would outdo themselves again this time, but sad to say third time's not gonna be the charm for Spider Man.
Although I'd say that Sandman's acting was pretty on point, I still feel like he could've been cut out from the movie and it still would've made sense.
Spider Man 3 is still pretty good but when you compare it with its other two predecessors, you can see that there is a huge step down in the overall quality of the film.
Man I wish they didn't have to kill off Harry so quickly after he had just reconciled with Peter. That scene broke me so much.
They had too many concepts that they tried to cram in one movie that it ended up being an awkward mess.
Tobey Maguire isn't good at being bad. Don't get me wrong, he played a great Spider-Man in the first two films but he just isn't cut for being evil.
I really tried my best to not hate it but it's hard not to compare it to the first two successful Spider-Man movies.
It felt like a totally different Spider-Man. It's such a shame because they had such a good storyline that connected the previous films.
Great action sequences and character development is lost when you try too hard to cram too many things into one 2-hour movie.
Yes, there was too much to process, but I still think it's a great ending to an epic trilogy.

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Thursday, February 11, 2021

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Saturday, January 30, 2021

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Monday, January 25, 2021

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A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true. Aladdin 2019 review : If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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Friday, January 15, 2021

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Shrek the Third release date : 7 July 19 4 6
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Saturday, December 26, 2020

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The Lord of the Rings: The Two Towers release date : 18 February 19 1 3
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Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard. The Lord of the Rings: The Two Towers 2002 review : Peter Jackson has always maintained that The Two Towers is "the second act" of his epic undertaking, and perhaps the true greatness of the middle chapter will only be clear when viewed in context. As a stand-alone film, however, The Two Towers is not quite as good as Fellowship. (Nor, indeed, does it extend the universe or deepen the relationships in the manner of The Empire Strikes Back.) That it still merits the full five stars is merely an indication of how high the benchmark has been set.

Picking up pretty much where Fellowship left off, this is a considerably darker film, with Frodo (Wood) falling further under the influence of the Ring (giving rise to some seriously spooky hallucinations), while Saruman (Christopher Lee) wreaks even more havoc. There's also the first appearance of Saruman's spy, the sinister Wormtongue (Brad Dourif), and the complex Gollum, a brilliant combination of computer trickery and raspy vocals from Andy Serkis (the campaign for a Best Supporting Actor Oscar starts here).

Other newcomers include Faramir (David Wenham), the understandably miffed brother of the recently deceased Boromir, and Éowyn (Miranda Otto), who spends much of her time casting winsome glances in the general direction of Aragorn (Mortensen). Eventually the plot complexities become more coherent, setting the action up for the forthcoming finale, The Return Of The King.

As we've come to expect, this is spectacular stuff - from an opening which sees Frodo troubled by dreams about the demise of Gandalf, through to the climactic Battle Of Helm's Deep, which is nothing short of breathtaking. But Jackson cleverly tempers the louder, brasher sequences with some heartstring-tugging moments - peasants despondent as they are forced to abandon their villages, Aragorn and Arwen's troubled relationship, and, of course, the return of Gandalf (Sir Ian McKellen, superb as ever), one of the film's most powerful, memorable images that may well leave Ring devotees a little misty-eyed.

However, those who still believe that the trilogy is beyond criticism may find their views challenged by The Two Towers. It's just as long as the first film, but gets the heroes no closer to a final victory. And, where the first movie developed its emotional tone from the brightness of The Shire to a darker climax, the sequel is more of a one-note affair, shadowy in both look and content.

This is particularly true of the Ringbearer's quest, which adds the not-insignifcant Gollum to the party, but suffers more than the other story strands from the cross-cutting and finishes with a nearly identical pep talk from Sam to the tearful speech that climaxed Fellowship. Of course, given the nature of the material, and Jackson's desire to be faithful, this is all understandable. And by the time we all end up under siege at Helm's Deep, it's unlikely anyone will give a toss about narrative arcs: like Gollum, this is simply gob-smacking, mind-blowing, never-seen-before stuff.


Verdict - It may lack the first-view-thrill and natural dramatic shape of Fellowship, but this is both funnier and darker than the first film, and certainly more action-packed. An essential component of what is now destined to be among the best film franchises of all time.

5/5

- Caroline Westbrook, Empire Magazine
That Damned Ring.

RELEASED IN 2002 and directed by Peter Jackson, “The Lord of the Rings: The Two Towers” adapts the second part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The surviving ‘Fellowship’ of the first film has been divided into three small groups for this one: The Hobbits Frodo and Sam (Elijah Wood and Sean Astin) team-up with the mad Gollum (Andy Serkis) to make their way to Mordor, but are captured by Faramir (David Wenham), the brother of the deceased Boromir. Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom) and Gimli the Dwarf (John Rhys-Davies) encounter the once-great King Theoden (Bernard Hill), who has fallen under the spell of Saruman (Christopher Lee) via his devious minion Grima Wormtongue (Brad Dourif). Meanwhile the Hobbits Pippin and Merry (Billy Boyd and Dominic Monaghan) try to enlist the help of huge tree creatures. Gandalf is also on hand (Ian McKellen). These story threads culminate in the great Battle at Helms Deep in the third hour.

This three-hour fantasy/adventure starts out more engaging than the first film, which was laden by its overlong, convoluted and (for the most part) unnecessary prologue. Like that movie, the characters are colorful, the tale is imaginative, there’s a lot of brutal action rounded out by quieter moments and everything LOOKS and SOUNDS great. Unfortunately, after the first act, Jackson opts for CGI porn (excessive use of CGI with the corresponding dizzying visual effects). The first film did this too, but this one ups the ante and so there’s not as much spectacular New Zealand cinematography (i.e. real forests, mountains, rivers, etc.). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are imaginative, they’re also shallow and rather dull, at least for mature people who require more depth to maintain their interest. Also, the wide-spanning (meandering) story with numerous characters and hard-to-remember names tends to be disengaging. I was never much captivated by the characters and their causes, although uber-fans of Tolkien might be.

Another problem is the lack of prominent female protagonists. We have Miranda Otto as Éowyn, Théoden's niece, who falls in love with the noble Aragorn and that’s about it, except for cameos by Liv Tyler as Arwen and Cate Blanchett as Galadriel. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Two Towers” was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados who liked the first movie.

THE MOVIE RUNS 2 hours 59 minutes and was shot in New Zealand.

GRADE: B-/C+
Still probably my favorite of the three, while it's pretty streamlined and far more action centric with little development compared with Fellowship of the Ring and Return of the King, I always find this one really entertaining with the Helm's Deep battle. **4.5/5**

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